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Defaced VitrineSeoul born, London based artist Joonhong Min critiques the chronic anxiety and information overload of modern urban life. Min argues that social media and advertising offer a shallow, addictive escape, blinding us to harsh realities like commercial waste and war. His multimedia practice, shifting from architecture to figures and virtual landscapes, uses jarring juxtapositions of fragmented bodies and mass consumption symbols. Through paintings,

This painting was inspired by the thrilling tale of Gilgamesh

bringing together ‘leftovers’

the series invites reflection on memory and the quiet power of material storytelling

The title plays on a familiar Belfast phrase

The narrative perhaps implies navigating surprising social events were nothing is how it seems and how you might envisage

These elements carry histories of healing

and belong to landscapes from which we are detached

The series depicts a chandelier from The Columbia Hotel in London

and structure

The white patio chairs are symbolic to working class English culture

Defying the conventional assumption of appearance and the nature of the human body

Within this momentary blooming