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Color: American Photography TransformedCapturing the world in color was one of photographys greatest aspirations from the very beginnings of the medium. When color photography became a reality with the introduction of the Autochrome in 1907, prominent photographers such as Alfred Stieglitz were overjoyed. But they quickly came to reject color photography as too aligned with human sight. It took decades for artists to come to understand the creative potential of color, and only in 1976,

this notepad proves that functional doesn't mean plain

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the book reconsiders the artist’s engagement with contemporary political and social debates surrounding wildlife conservation in America

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they transformed getting one’s portrait made from a formal event taken up once or twice in a lifetime into a commonplace practice shared with friends

but they also met with reproach from his peers and critics in the press who viewed his painting style as outmoded

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Nora Burnett Abrams is the Marc G

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